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The First French and English Translations of Sir Thomas More’s ‘Utopia’
Posted on March 30, 2013 | No CommentsAn investigation of the editions of the 'Utopia' of Sir Thomas More is an exciting subject in itself, but a comparison of the first French and English translations throws remarkable light upon the parallel developments of the two countries in Renaissance literary history. -
Devising the Revels
Posted on March 19, 2013 | No CommentsRevels were the result of collaboration by painters, sculptors, costume designers, poets, composers, artisans, and labourers in relation to whom an appointed supervisor (beginning in 1510 called the master of the revels) stood as what we might call executive producer and director. -
‘An honest dog yet’: Performing The Witch of Edmonton
Posted on January 24, 2013 | No CommentsAt the climax of Dekker, Ford, and Rowley’s 1621 tragedy The Witch of Edmonton, the devil treats a young morris dancer named Cuddy Banks to a discourse on the relationship between the everyday world in which Cuddy lives and the demonic realm over which he himself reigns. -
Renaissance plays as a useful source for the comparison between English and Croatian early modern medicine
Posted on January 3, 2013 | No CommentsAs Renaissance made no particular distinction between arts and sciences, plays of that time provide a very common source of medical narrative. -
Nonsuch Palace
Posted on December 23, 2012 | No CommentsDavid Gaimster recalls the excavation of Henry VIII’s most extravagant palace, which spawned the discipline of post-medieval archaeology. -
Sincere Lies and Creative Truth: Recantation Strategies during the English Reformation
Posted on November 27, 2012 | No CommentsThis leaves a blank page in the history of religious persecution and tolerance in sixteenth- century England. This paper hopes to contribute to some recent studies which are attempting to fill it, such as those of Susan Wabuda and Brad Gregory. These historians both suggest that the crown did not press for recantation only to maintain power. -
The Pageant of History: Nostalgia, the Tudors, and the Community Play
Posted on October 9, 2012 | No CommentsDuring the first half of the twentieth century, although these events have attracted little scholarly attention to date, English cathedral cities, market towns and hamlets put on a large number of historical pageants, habitually preoccupied with what the English think of as the Tudor period. -
An Englishman Who Collaborated with the Spanish Armada
Posted on September 15, 2012 | No CommentsAccording to Catholic historians, this one man is the prototype of all the guileful Jesuits who creep furtively in and out of the plots of numerous English novels. -
A Body Politic to Govern: The Political Humanism of Elizabeth I
Posted on August 28, 2012 | No CommentsIn this dissertation I demonstrate a discernible influence between the thoughts and virtues of political humanism upon the public presentation of Elizabeth I‘s political persona. -
John Knox: Gynaecocracy, ‘The Monstrous Empire of Women’
Posted on August 14, 2012 | No CommentsThese were teachings of resistance to religious oppression that, in Britain, first ripened in the reigns of the contemporary British queens, Mary and Elizabeth Tudor, of England, and Mary of Guise2 and Mary Stewart, of Scotland. As mon- archs these women were in a position that enabled them to have a religious role that went beyond the conventional one, that of patrons and protectors: they could impose their religion. -
Discourse on History, Geography, and Law: John Dee and the Limits of the British Empire, 1576-80
Posted on July 19, 2012 | No CommentsRecently, literary scholar William Sherman offered the most detailed examination of Dee's imperial writings yet attempted, including a brief discussion of his most important collection of manuscripts on empire, the "Brytanici Imperii Limites," which was only discovered in 1976. -
“Only your picture in my mind”: the image, the heart, and the mirror in some seventeenth-century poems
Posted on June 13, 2012 | No CommentsWhen Marvell crisply invites Clora to “Come view my soul” in “The Gallery” and assures her that all she will find there is images of herself, he is com- menting on a long tradition of looking-glass poems in which a woman’s image is engraved on the lover’s heart. Such poems employ a rhetoric of persuasion to lure the woman away from her mirror. In the mid seventeenth-century, these poems, with their debts to Continental writers, are found predominantly (and consistently) in the works of Royalist poets. -
Anciennete among the Non-Jurors: a study of Henry Dodwell
Posted on May 19, 2012 | No CommentsThe present study may be regarded as treating upon those attitudes to the past and its relationship to the present generally discussed under the rubric of the conflict of the Ancients and the Moderns. -
Scripture versus Church in the Debate of More and Tyndale
Posted on January 29, 2012 | No CommentsWritten law was given to the people of Israel as their morals got generally corrupted and they became blind to understand the will of God, thus God gave them the Ten Commandements of his his mercy... -
Ophelia’s Mistreatment and Ignored Monastic Opportunities
Posted on October 16, 2011 | No CommentsAn examination of her relationship with Polonius and Laertes will culminate with an inspection of the relationship between Ophelia and Laertes, using the feminist theory employed by Virginia Wolf -
The Role of Charles I in the Evolution of Taste and Collecting in England
Posted on October 16, 2011 | No CommentsCharles and his courtiers brought to England, for the first time, the awareness of taste and the development of collecting habits similar to those in continental Europe.














































