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Milton’s History of Britain in its historical context
Posted on April 8, 2013 | No CommentsThe prologue studies the Tory publication of Milton's Character of the Long Parliament (1681). It argues that the provenance of this tract is best explained if Milton did in fact attempt to include the Digression in his History of Britain. Further ambiguities in Milton's early reputation are discussed in a review of the History's reception. -
Representations of Elizabeth I
Posted on April 8, 2013 | No CommentsThis thesis looks at three themes in representations of the Queen in Elizabethan literature. They are: the problem of representing a female ruler; the relation between the cult of Elizabeth and the cult of the Virgin Mary; and representations of Elizabeth as Cynthia, the moon-goddess. These topics are seen as focal points for problematic issues in panegyric. -
“The lying’st knave in Christendom”: The Development of Disability in the False Miracle of St. Alban’s
Posted on April 1, 2013 | No CommentsWhat none of these studies have examined, however, is the performance of disability at the center of the St. Alban's episode. -
The Treatment of Disability in 19th and Early 20th Century Children’s Literature
Posted on March 31, 2013 | No CommentsIn many books, disability, where it occurs, and its cure are associated with character. Cure may result directly from a healthier attitude to life, often implying a voluntary relinquishment of the disabled role. -
The First French and English Translations of Sir Thomas More’s ‘Utopia’
Posted on March 30, 2013 | No CommentsAn investigation of the editions of the 'Utopia' of Sir Thomas More is an exciting subject in itself, but a comparison of the first French and English translations throws remarkable light upon the parallel developments of the two countries in Renaissance literary history. -
Charles Dickens’s A Child’s History of England and Spain
Posted on March 30, 2013 | No CommentsTrue to his didactic interests, Dickens’ idea was to allow not only his son to learn the history of his country in the way that his own father wanted him to know it, but to convey a particular authoritative viewpoint as to how English youths should learn the history of their country, that is, with an England-centred bias. Literary criticism has not been kind with Dickens’s incursion into children’s and youngster’s historiography and has not therefore been too generous in terms of appraisal. -
Dark Side of the Moon: Dickens and the Supernatural
Posted on March 30, 2013 | No CommentsDickens’s initiation into the genre of supernatural fiction may be attributed to his nanny Mary Weller about whom Dickens says ‘Her name was Mary though she had none on me’. -
The Singing ‘Vice’: Music and Mischief in Early English Drama
Posted on March 25, 2013 | No CommentsAmidst non-textuality and the resulting shortage of extant scores to serve as documentation of musical activity, even the most restrained speculative approach still leads to the conclusion that music and musicians were crucial both to the emergence of the interlude as a genre of household entertainment and in the actual performance of interludes. -
John Dee, King Arthur, and the Conquest of the Arctic
Posted on March 24, 2013 | No CommentsSince neither of the most significant early Arthurian pseudo-histories go so far as to place Arthur in Greenland, America, or the Arctic—although Geoffrey's account prefigures such claims by extending Arthur's conquests to the farthest known northern and western limits of European civilization—we must therefore turn to Dee's own manuscripts for some illumination as to where this idea came from and how it developed. -
Making Darkness Visible Capturing the Criminal and Observing the Law in Victorian Photography and Detective Fiction
Posted on March 18, 2013 | No CommentsLike another remarkable Victorian visual apparatus, the camera, we might think of Holmes (and the "sharp-eyed" detectives he represents) as the literary embodiment of the elaborate network of visual technologies that revolutionized the art of seeing in the nineteenth century. -
“Tell me a story, dear, that is not true”: Love, Historicity, and Transience in A. Mary F. Robinson’s An Italian Garden
Posted on March 8, 2013 | No CommentsThrough a poetic voice compelled to recognize that individual desire is often not reciprocated and that love entails great risk that is itself ennobling, Robinson explores the nature of love that is selfless in that one gives oneself to another, yet selfish in that one comes to need a totality of love not possible in a finite context. Paradoxically, then, love evokes both pleasure and pain. -
Reassessing Gilbert and Gubar: Women, Creativity, and Hopkins
Posted on March 5, 2013 | No CommentsGilbert and Gubar’s identification of Hopkins with Victorian sexism has undoubtedly influenced Hopkins studies. Since the publication of The Madwoman in the Attic, several Hopkins critics have speculated that the poet’s wish for ‘masterly execution’ appears to betray his own fear of becoming unmanly or effeminate in his art and life. -
The Mysterious Miss Austen
Posted on February 25, 2013 | No CommentsFor the past two centuries, historians and literary scholars have attempted to solve the mystery that is Jane Austen’s life. How did a woman from a small village in Hampshire come to write six of the most beloved novels in the English language? -
Sensate Detection in Wilkie Collins’s The Law and the Lady
Posted on February 14, 2013 | No CommentsMore importantly, however, I want to demonstrate through a close reading of The Law and the Lady how this novel brings the two genres into such close alignment that emotion and imagination, sensate subjective categories, rather than objective analysis and facts, become the unlikely investigative tools by which any particular case is solved. -
Sexuality in Jude the Obscure and the Sexuality of the Victorian Era
Posted on February 13, 2013 | No CommentsSexuality has an important role to play in one’s life. Sexual feelings should be given vent to. This paper draws a comparison between the sexuality of the Victorian era and the sexuality of Thomas Hardy’s Jude the Obscure. -
Romeo and the Apothecary
Posted on February 11, 2013 | No CommentsSince the apothecary in the source is no more than a plot device, we might wonder why Shakespeare devotes so much space to him if he is only such a device in the play as well. -
Taste, Appreciation and the Study of Literature: F.D. Maurice, R.G. Moulton and the Extramural Effect
Posted on February 6, 2013 | No CommentsAspects of what might be termed the pre-history of extramural literary education have been traced by Franklin Court in the lectures delivered by Adam Smith and Hugh Blair at the Universities of Edinburgh and Glasgow in the second half of the eighteenth century. -
Pride and Prejudice celebrates 200th anniversary
Posted on January 30, 2013 | No Comments'In retrospect, we can see that Pride and Prejudice marks a beginning for the modern novel, with its domestic focus, its slight plot, and in its flawed heroine, the funny and loyal, opinionated and brave Elizabeth Bennet, a distinct personality.' -
The house is hers, the soul is but a tenant’: Material Self-Fashioning and Revenge Tragedy
Posted on January 27, 2013 | No CommentsPlaying dead, however, is not merely a staging issue, though performance of a single character in two simultaneous but separate locations is a legitimate concern, both metaphysical and staging, since playing dead also poses eschatological and ontological challenges to neoplatonism, stoicism, and Christian theology, frameworks within which many Jacobean and revenge plays are conceived. -
‘An honest dog yet’: Performing The Witch of Edmonton
Posted on January 24, 2013 | No CommentsAt the climax of Dekker, Ford, and Rowley’s 1621 tragedy The Witch of Edmonton, the devil treats a young morris dancer named Cuddy Banks to a discourse on the relationship between the everyday world in which Cuddy lives and the demonic realm over which he himself reigns. -
The Purgation Of The Hero In Shakespearean Tragedy
Posted on January 6, 2013 | No CommentsIn each play, when the hero has seen the failure of his subjective passion, the nature of the universal Good, upon which all goods, natural and human depend, begins to appear. -
Lessons from history: asylum patients’ Christmas experience
Posted on December 24, 2012 | No CommentsWhile it may be claimed that contemporary practice offers drug treatments and a wide range of therapeutic interventions unimaginable 150 years ago, it could also be argued that for all the advances in care and treatment the quality of life that patients experienced in the 19th century was, to some extent, superior. -
Were They Having Fun Yet? Victorian Optical Gadgetry, Modernist Selves
Posted on November 27, 2012 | No CommentsThree large questions concern me here: (1) What inspired all this looking at looking? (2) How were Victorians coming to terms with their increasing interest in watching their own watching? (3) What consequences were brought about by the rationales Victorian viewers devised to justify a happy spectatorship and to come to terms with the unreliability of vision? -
Othello’s Alienation
Posted on November 25, 2012 | No CommentsAlthough I agree broadly with the arguments of Jones and Hunter, it seems to me important to appreciate the particularityof Shakespeare'sportrait and its resistance both to negative stereo- typing and abstractuniversalizing. There is little question that in choosing Othello for his protagonist Shakespearesought to create a realistic portrait of a Moor. -
A Special Reference to the Correspondence between England and the Low Countries during the Dutch Revolt 1585-1587 ; Diplomatic Communication in the Early Modern Europe
Posted on November 21, 2012 | No CommentsA significant part of this Leicesterian correspondence has been preserved to our days, and it offers an excellent case study of the diplomatic communication in the Early Modern times. The original letters are located in the various archives of the Netherlands, Great Britain and France. In addition, many of them are printed in collections. By examining this correspondence, it is perhaps possible to trace the broader conventions of communication in the Early Modern Europe. -
Shakespeare’s Use of the Supernatural
Posted on October 31, 2012 | No CommentsTherefore, this thesis aims to approach this issue from a different perspective and will deal with the concept of the Supernatural only in three selected plays of William Shakespeare and will present a comparison with three pieces of drama by different authors. -
Victorian perspectives on the supernatural: The imaginary versus the real in two Brontë novels
Posted on October 31, 2012 | No CommentsVillette and Wuthering Heights exhibit a striking similarity: both rely on the gothic tradition (more specifically, on one of its elements, the supernatural) to evoke psychological realism. -
Some Bloody good reads for Halloween!
Posted on October 30, 2012 | No CommentsSome Bloody good reads for Halloween!














































