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Reassessing Gilbert and Gubar: Women, Creativity, and Hopkins
Posted on March 5, 2013 | No CommentsGilbert and Gubar’s identification of Hopkins with Victorian sexism has undoubtedly influenced Hopkins studies. Since the publication of The Madwoman in the Attic, several Hopkins critics have speculated that the poet’s wish for ‘masterly execution’ appears to betray his own fear of becoming unmanly or effeminate in his art and life. -
George and Maria: A Reinterpretation of King George IV and the Queen Caroline Affair
Posted on October 7, 2012 | No CommentsHowever, the majority of recent non-biographical scholarship relating to the reign of George IV focuses primarily on the Queen Caroline Affair, which painted an unflattering picture of George as a weak, corrupt, immoral cuckold. Thus, it is only through this narrow focus that George has been judged as a husband and man. Somewhere between the lovelorn and the heartless depictions lies reality. During my quest to reconcile these two vastly different perceptions, I discovered that, despite negative modern portrayals ofthe Queen Caroline Affair by feminist scholars, my initial romantic conception of George was not false. -
Emasculated subjects and subjugated wives: discourses of domination in John Banks’s Vertue Betray’d (1682)
Posted on July 22, 2012 | No CommentsBetween 1681 and 1704, John Banks prepared for the stage four tragedies dealing with British history; three of them were centered on the meteoric rise and fall of doomed queens: Anne Boleyn, Mary Queen of Scots and Lady Jane Gray. -
Victorian Governesses: A Look at Education and Professionalization
Posted on April 4, 2012 | No CommentsVictorian governesses found themselves central to the debate of ideal womanhood because of their roles as educators and workers. Governesses and others concerned with the conditions of governesses endeavored to professionalize that career by embracing and taking part in the movement for higher female education and the advancement of women in other fields of work. -
The anatomy of Charles Dickens: a study of bodily vulnerability in his novels
Posted on February 7, 2012 | No CommentsThis dissertation concludes that the body’s vulnerability is not only a continual presence in Dickens’s novels but is an under-examined yet fundamental element in what makes his writing style distinctive and what makes his work continually popular. -
Warning, Familiarity and Ridicule: Tracing the Theatrical Representation of the Witch in Early Modern England
Posted on February 1, 2012 | No CommentsThe image of the witch and the vehicle of the theatre seem to be a natural fit. The spectacle inherent in the supernatural aspects of the witch provided a wealth of vivid opportunities for the employing the latest in scenic and technical advances and for experimenting with the possibilities for new special effects. -
Working with the body : subjectivity, gender, commodification and the labouring body in Victorian England
Posted on December 20, 2011 | No CommentsThe dissertation’s contrapuntal structure places middle-class texts against working-class texts. -
Victoria’s feminist Legacy: how nineteenth-century women imagined the queen
Posted on December 14, 2011 | No CommentsI am interested in women who inspire their fellow women to challenge gender roles without explicitly being feminists themselves. Examples—real and fictional—as varied as Joan of Arc, Jane Eyre, and Janis Joplin have had a powerful emotional resonance with women, and the fact that they avoid articulating political positions about gender makes them available to a wider audience. -
An ideal woman : literary, parliamentary, and sexual representations of model femininity in mid-Victorian England
Posted on November 18, 2011 | No CommentsMiddle-class women of the Victorian era experienced isolation from various aspects of society, in favor of removal to the “woman‟s sphere” of hearth and home. -
Ophelia’s Mistreatment and Ignored Monastic Opportunities
Posted on October 16, 2011 | No CommentsAn examination of her relationship with Polonius and Laertes will culminate with an inspection of the relationship between Ophelia and Laertes, using the feminist theory employed by Virginia Wolf

































